In the first truly busy weekend for new releases in 2014, Ice Cube and Kevin Hart took the competition, bent them over the knee and gave them a good spanking. Okay, you probably didn't want the image of those two spanking animated squirrels, demonic babies or Chris Pine in your head, but how else are we going to talk about the opening weekend for 'Ride Along'?
New releases have a habit of floundering in January, which tends to be one of Hollywood's biggest dumping grounds. Even this year's big January horror release, which is commonly a sure thing, floundered. What does tend to do well are the prestige pictures that opened late in the previous year (often in limited release) and finally expand in the new year, riding awards momentum to solid box office.
Of course, this is just a roundabout way of saying that Peter Berg's 'Lone Survivor' emerged from limited release this week to kick everyone's ass at the box office.
Over the past few years, the 'Paranormal Activity' series has established itself as one of the most inexpensive and reliable horror franchises around. Produced for (non-literal) pennies, they've consistently opened strong at the box office, ensuring a fast and efficient turnaround.
Although you'd think people would spend the holidays in their homes catching up with their families and what-not, they actually tend to go to the movies after opening gifts and having awkward conversations. And Christmas Day moviegoers had a bunch of options this week, with recent releases (and not-so-recent releases) still going strong and a whole bunch of new releases arriving to coincide with the holiday.
Dennis Farina, the hugely recognizable veteran of film and television, has passed away at the age of 69. Over the course of his 32-year career, Farina specialized in playing cops and other authority figures, utilizing his background in law enforcement to springboard into acting.
After years of sharing the same block on Fox Sunday nights, 'The Simpsons' and 'Family Guy' are finally doing something that no one ever expected: they're crossing over. To be more specific, an upcoming episode of 'Family Guy' will see Peter Griffin and his family stumble into the town of Springfield, where they encounter the Simpson family.
What's more powerful than a bunch of giant robots and giant monsters? What's more powerful than Adam Sandler and all his buddies? This weekend gave us a definitive answer: a lovable supervillain voiced by Steve Carell. 'Despicable Me 2' triumphed at the box office for the second week in a row, beating out newcomers like 'Grown Ups 2' and 'Pacific Rim' and making it look easy.
Which would you expect to win the Fourth of July weekend: the Disney-produced, Johnny Depp-starring revival of an iconic American hero or the sequel to a French-made, Steve Carell-starring animated movie about a lovable supervillain? Well, it looks like American audiences simply aren't interested in westerns, even the uber-expensive ones starring Captain Jack Sparrow with a bird on his head. 'Despicable Me 2' destroyed 'The Lone Ranger' over the holiday weekend. Like, totally wrecked it. Mercilessly.
What happens when two new releases that look like sure-things smash into the unstoppable wall that is a Pixar movie? Well, you get one second place hit and one severe disappointment. 'The Heat' still looks good next to the continued success of 'Monsters University,' but it made 'White House Down' stumbling at the starting line look all the more horrible.
Zombies may be really hot right now, but there's one thing that is (and probably always will be) a bigger deal: Pixar. Brad Pitt's 'World War Z' performed quite well in its opening weekend, but even the biggest zombie movie of all time couldn't keep pace with 'Monsters University.'
After months of feverish anticipation and a marketing campaign that left everyone at ScreenCrush practically speechless, 'Man of Steel' has arrived (amidst a flurry of mixed reviews) and taken its place at the top of the box office chart. Although the latest Superman film broke June box office records, it's yet to be seen whether or not the film is truly prepared for the long road ahead.
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